The first 15 minutes of this video is a “RED Talk” I did in the fall of 2018 titled “What’s So Important about the Arts and Humanities?”
Watching Cosmic Time in Midcentury Suspense Films: Hitchcock, Welles, and Reed (In Progress)
“Silences in Brian Friel’s Translations” in Silence and the Silenced: Interdisciplinary Studies (Studies on Themes and Motifs in Literature)
“B.T. Roberts’s Real Estate Debts” in Earnest: An Interdisciplinary Work Inspired by the Life and Teachings of B.T. Roberts: B.T. Roberts On Sale Now
Click here for Norman Holland’s work: It’s really cool when you get your first academic in your field to reference your original scholarship.
Click here for Critical Commons: Critical Commons posting on The Hudsucker Proxy (for In Media Res)
These are reviews I wrote for Afterimage: The Journal of Media Arts and Cultural Criticism, University of California Press (2016-2017)
- Words on Screen by Michel Chion. Edited and Translated by Claudia Gorbman. Noted: “Afterimage: The Journal of Media Arts and Cultural Criticism” University of California Press, Vol. 45, no. 1 (2017) https://online.ucpress.edu/afterimage/article/45/1/27/20581/Review-Words-on-Screen-by-Michel-Chion
- The Extraordinary Image: Orson Welles, Alfred Hitchcock, Stanley Kubrick, and the Reimagining of Cinema by Robert Kolker. Noted: “Afterimage: The Journal of Media Arts and Cultural Criticism” University of California Press, Vol. 44, no. 6 (2017) https://online.ucpress.edu/afterimage/article/44/6/31/20560/Review-The-Extraordinary-Image-Orson-Welles-Alfred
- The Magic World of Orson Welles: Centennial Anniversary Edition by James Naramore, Noted: “Afterimage: The Journal of Media Arts and Cultural Criticism” University of California Press, Vol. 44, no. 4 (2017) https://online.ucpress.edu/afterimage/article/43/4/45/3342/Review-The-Magic-World-of-Orson-Welles
- At the End of the Street in the Shadow: Orson Welles and the City by Matthew Asprey Gear, Noted: “Afterimage: The Journal of Media Arts and Cultural Criticism” University of California Press, Vol. 44, no. 3 (2016) https://online.ucpress.edu/afterimage/article/44/3/43/20516/Review-At-the-End-of-the-Street-in-the-Shadow
This briefly quotes me as an attender of an academic publishing symposium: Publish or Perish Symposium
I contributed 50 illustrations to the book Grant Writing from the Ground Up by Damon Diehl (2021).
This is a book written about legendary writer John Milton by C. Harold Hurley. I illustrated the cover.
This is the inscription of my personal copy by the author, my friend and mentor.
Publisher’s Site: Mellen Press
Also available here: Abe Books
Here’s one of my original poems, titled “Cosmos,” which appeared in the September 2020 issue of the poetry journal Prometheus Dreaming: https://www.prometheusdreaming.com/poetry-issue-2-5?pgid=ke5ih8p4-f0d6bee3-f143-4bab-8504-c9eb7f47b8fb